with a different view indigenous every angle, this is your guide to choose the best seat for the experience you want.
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Tony-nominated scenic designer Mimi Lien knocked under walls, constructed staircases, and also transformed the entire Imperial Theatre right into a lush Russian vodka den because that the 12-time Tony-nominated musical Natasha, Pierre & The great Comet of 1812. Tony-nominated director Rachel Chavkin locations the audience in the activity of Tony nominee Dave Malloy’s rock opera because that a theatrical suffer unlike anything rather on Broadway.

In a totally immersive staging, every one of the actors (and several of the musicians) move throughout the theatre to tell the 19-century Moscow-set story. Ensemblists run in the aisles and also on runway communication snaking with the audience. The cast sprints up and also down staircases and interacts through the audience—the third scene partner—as the story filling the entire Imperial Theatre.

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Read More: LUCAS STEELE’S strong FEAT in ~ THE an excellent COMET

And, while various other Broadway shows have dabbled through onstage seating, The an excellent Comet take away it come the next level with orchestra level cocktail tables, on stage table seats, and onstage banquette stadion seating. Every seat is a singular view, and it have the right to be a challenge to decide where you desire to sit. sommos.net saw the present from four various sections (Front Mezzanine, Orchestra, onstage Tavern Table, and also Banquette) to guide you and also let girlfriend in top top what you’ll see if you walk back an ext than once.

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SEAT LOCATION: front MEZZANINE, row A, 5


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Marc J. Franklin

Whole scenes space played in what supplied to it is in the mezzanine and balcony—and space visible just to those seated in those spaces, despite invisible come those sit in the orchestra section. To it is in fair, orchestra audiences additionally get come see points that those maximum ground can’t, but mezzanine seats are the location to take in the full scope the the scan musical.Highlights: During plot 2’s “Balaga,” the most raucous number in the show, the foolish Russian troika driver who provides the tune its surname performs a wild solo native the balcony. The agency executes a high-kicking Cossack run with several of the most acrobatic choreography occurring in the mezzanine, until they please with fatigue in the aisles. You’ll certainly have the finest view the this moment from here. The mezzanine is also a good spot to endure “The Opera” (especially if you’re in the rear mezzanine and also can watch the Opera activity orchestra audience miss). But the show’s climax includes a lighting impact to suggest a starry sky dominated by the starburst figure of the titular good Comet itself. Because the ceiling the the theatre is used as the sky, just those seated in the upper tier acquire the full effect of the skies filling with points of light on huge chandeliers, as the comet swells to complete brightness. That a panorama moment exclusive to this seats.Close-up moment: In the action 2 “Letters” scene, Natasha gets she love letter from Anatole downstairs, but she tote it approximately the mezzanine and you have the right to watch she passionate reaction as she reads it. That was the minute when she love—and she doom—were sealed, and we acquired to check out it best.Best for: Audiences who desire a bird’s eye watch of the activity with a smattering that up-close moments by the supporting cast.

Watch: within THE royal THEATRE RENOVATIONS because that THE great COMET

SEAT LOCATION: ORCHESTRA, heat E, 101


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Marc J. Franklin

While the show isn’t staged favor a typical proscenium play, the majority of the action does take location on what would be the stage, and also you’ll have a perfect vantage point of that space. Plus, gift on the aisle, you still feel embedded in the action.Highlights: Though girlfriend won’t gain as close come the principals in this seat, and you miss out on some the the maximum floor action, you can see the whites of the actors’ eye for several of the most systematic interactions in the show. Sitting home left, Sonya sings her solo ballad downstage ideal with a solitary lightbulb lit over she head; you’ll feel choose she is singing directly to you. Close-up moments: Starting at pre-show, the ensemble gets up close and personal, which helps you let her guard down and also prepare for the type of present you are about to witness. Any kind of moment including the complete company—the huge dance sequences, “The Ball,” “Letters,” “Balaga,” “The abduction”—the ensemble and mobile instrumentalists play best up in your face. They dance in the aisles or under the center platform, lean versus your seat, stare you down, drop you a letter, hand friend an egg shaker, and also more. But, there aren’t any moments when principals acquire too close.Best for: audiences who want to watch an ext conventionally. You can miss some action in the mezzanine, however you’ll still feeling the excitement of the role play show, and also you’ll be able to follow it an ext like other nights at the theatre.

Read More: just how MIMI LIEN changed THE imperial THEATRE into A RUSSIAN VODKA DEN

SEAT LOCATION: behind STAGE appropriate BANQUETTES, row BB, 1


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Marc J. Franklin

Highlights: Natasha’s plot 1 aria “No One Else,” during which she gazes in ~ the stars, is specifically moving indigenous this seat. Lights dropped native the ceiling above the stage and in the residence and, due to the fact that of the elevated banquette seating, friend feel among the stars. The view also creates a beautiful tableau during “Sonya Alone:” in ~ one moment Natasha in the mezzanine aligns perfectly with Sonya onstage, and you check out the distance in the lyrics play out between them. That a minute you’ll only record here. Close-up moments: From an aisle chair in the banquette, there was a the majority of commotion ~ above the staircase, but rarely do personalities stop and also interact in the space. The is still interesting to feel the wind when someone rushes by, or hear the collection of props just behind the curtain. Girlfriend may have actually less interaction with the company, yet it’s a great way to feel component of the party in a an ext ringside way. You have actually perfect sightlines because that Helene’s “Charming,” and for the facial expressions that audience members in ~ tables, i m sorry is an included dimension to the present itself.Best for: Audiences who want to obtain close, yet not the close, and also want to it is in privy come the backstage theatre magic.

See more: Moises Y Los Diez Mandamientos Capitulo 161, Moises161 Mp4

SEAT LOCATION: UPPER phase LEFT SUNKEN TAVERN, row TM, 1


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Marc J. Franklin

If you desire to feel component of the crazy Russian bash at good Comet, this seat is because that you. The sunken orchestra pit is the axis of the show—the patience eye that the hurricane. This seat is one ring external of that and also on the aisle to a mainstage staircase. That a busy intersection because that the actors of 31, and also you’ll feeling them whoosh by friend constantly; it’s likely the ideal seat to feel the frantic power of the vodka den. You’ll sit six inches native members that the cast. Tony nominee Denée Benton will stare you appropriate in the eye during the action II opener “Letters.” native this vantage point, you also have a see of the whole space—as ensemblists run in the orchestra aisles, principals rise staircases right into the mezzanine, and musicians play in the mezzanine doorways. Highlights: While friend won’t have the ability to see mockery Groban’s face as that sings and plays the piano throughout his very first song, “Pierre,” it’s worth the sacrifice once you have actually the best seat in the home for “Dust and also Ashes.” he sings the most an effective moment indigenous the center stage platform, where you have a perfect sightline to clock his torture emotion, to add you can look out right into the orchestra and also mezzanine where the firm stands tho in flickering candlelight throughout one that the many poignant moments in the show. Close-up moments: This is the seat if you desire a front row to Anatole’s near breakdown during “Pierre and Anatole” or the wrenching sadness of Marya (all snot and also tears) throughout “Pierre and Andrey.”Best for: audiences who desire to have an experience, however might miss out on some big-picture moments in the flurry that the activity and emotion.