The paint "Congregation leave the Reformed Church in Nuenen" was uncovered in 2016 ~ it to be stolen native the museum 14 years earlier. Recently, the painting has been extensively examined and also a conservation and restoration treatment has actually taken place. These space the insights.

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Van Gogh painted Congregation leave the Reformed Church in Nuenen quickly after he had actually moved in through his parental again in Nuenen, in ~ the beginning of 1884. The reworked it later in 1885. The painting was a gift to his ok mother. The not only shows the church his father preached in, but additionally bears a recommendation to his death. This solid biographical link gives the paint a special emotional value within the arsenal of the valve Gogh Museum.

condition after that return

Congregation leaving the Reformed Church in Nuenen had actually returned come the valve Gogh Museum in an unexpected, quite stable physical condition. However, the was chose to completely examine and also possibly law the painting prior to re-integrating it together with Seascape at Scheveningen in the irreversible collection. Key reason for this was the an aged, glossy and yellowed varnish on the surface interfered through the colour plan as it was originally intended by valve Gogh.

The paint shows a rather amazing layer build-up as valve Gogh worked on it on 2 occasions. He painted the initial ingredient at the start of 1884, v the church and also a farmer transporting a spade in the foreground. The painting featured rather cool colour reminiscing cold winter days. In the autumn of 1885, after his father’s death, valve Gogh overpainted the farmer and added groups that churchgoers in the foreground. At the same time, he readjusted the palette come brighter and warmer autumnal tones.

throughout the examination, the visibility of an initial protein include layer, more than likely egg white, was proved in in between the 2 painting projects from 1884 and 1885. In the same period Van Gogh had actually written come his brothers Theo around using egg white together a tool for saturating colour in his paintings. Most of the it was observed phenomena disrupting the paint surface in Congregation leave the Reformed Church in Nuenen might be connected to the ageing and also degradation of this material. On top of the 2nd painting project a fabricated alkyd resin varnish was detected, probably applied in 1961 throughout a reconstruction treatment.

On height of the 2nd painting project a synthetic alkyd resin varnish to be detected. It was probably used during a restoration treatment in 1961. This non-original layer was the cause for the undesirable glossy and yellowed surface ar effect, and also it was thus decided to remove it. Extensive monitored experimentation proved the feasibility of together a therapy without harming the original vulnerable paint surface. However, because of the solubility nature of the aged alkyd resin that is removal was only possible while working through a stereomicroscope under high magnification. The initial protein include layer to be not affected by the varnish removal.

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together with the varnish remove a couple of discoloured retouches to be reduced and areas of fragile paint was consolidated. Ultimately the painting was provided a really fine spray-varnish in order to re-saturate the darker colours especially, yet without including any gloss come the surface.


more on preservation treatment

Along through Congregation leave the Reformed Church in Nuenen, the painting Seascape in ~ Scheveningen to be examined and also treated. This last painting to be seriously damaged after ~ it was stolen indigenous the museum. What therapy did conservation specialists at the van Gogh Museum give this painting?