Cast: Morton Downey Jr., Dorothy Parke, Peter valve Norden, john Kassir, Warren Burton, M.K. Harris, Ami Rothschild, Candace Savalas, Jeannie Epper, Victor Paul, Wally Rose, Steve Picerni, and Ted Grossman

Composer: J. Peter Robinson



Hoping to boost his ratings, a sleazy television host cleverly called Horton Rivers (Morton Downey Jr.) visits a haunted home where, follow to legend, a cable of grisly murders

were committed. In spite of the warnings that psychic Roland Workshafter (Warren Burton), Horton proceeds to tour the macabre mansion through a camera crew—and number of uninvited “guests”—at his side.

You are watching: Tales from the crypt television terror

For those who recall the trashy antics of Geraldo Rivera, Morton Downey Jr., and other such “journalists” who obtained notoriety during the era in which tales from the Crypt

was produced, “Television Terror” will not disappoint. Likewise worth stating is the creepy setting that permeates nearly every scene, thereby accentuating Downey’s hyperbolic portrayal of himself in together a fashion that will appeal to pan of the horror/comedy crossover genre.


Establishing the perfect ton for any kind of horrors that may await Horton ~ above his ill-advised trip through the house of a late murderess, J. Peter Robinson’s music score adds a decidedly chilling high quality to the opened credits sequence. It must be provided that any resulting tension stops working to survive complying with the humorous introduction

the Downey’s repugnant character; however, an ominous wait is nevertheless existing from start to finish, also though Horton’s goofy habits takes facility stage at every times. By combine scary aspects with amusing instances in the most efficient manner imaginable, “Television Terror” offers the quintessential instance of how a balanced technique can be applied while working within the previously mentioned horror/comedy genre.




While the premise because that “Television Terror” may fail come resonate through a post-1990s generation, this episode nonetheless earns the reputation together a true series classic. Specifically, a striking social commentary sheds light upon the shameless fear-mongering that defined many so-called reporters from years past (and the present, albeit to a less extreme degree). Additionally commendable is the fact that Downey self was liked to portray the main character, thus permitting an otherwise tongue-in-cheek principle to be complemented with a subtle form of realism.

Concluding Comments

A brilliant, if somewhat dated, episode, “Television Terror” provides an ingenious examination of the ironic undertones contained within that narrative. Furthermore praiseworthy is a gruesome twisted ending, which will certainly no doubt “shock” those familiar with Downey’s so-titled technique of reporting.

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Overall Quality: 10/10

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